| In the Theater GALA |
Eva Perón "in love" with the unprotected ones
|
Under the genre of comedy musical and loaded with a black humor that can affect many susceptibilities.
MITZI MACES
WASHINGTON HISPANIC
“ Moved and nourished” there are the words with which the actress Laura Conforte describes the flavor with which the public will go out after seeing the world premiere of “The mummy in the closet”, a musical comedy where I Comforted interprets the protagonist and icon of Argentina, Eva Perón.
He might add disconcerted before so much hate to this description on the part of a sick people towards a woman won the love by the defender of the unprotected ones.
And the fact is that “The mummy in the closet” written by Gustavo Ott is a musical comedy that sums 30 years of history up and narrates one of the most painful events for the village of Argentina as it was the loss of Eva Perón and what called itself the age of the Peronism. With “The mummy in the closet” GALA finishes his 33 period and Washington DC will be in publicity board until June 28 GALLIC in the theater located in 3333 of the street 14, NW.
“ The most terrible of all this history is that it was true. Personally I had liked that somewhere of the assembly it is said definitely that this is a history based on real facts. In this musical there are neither fictitious ingredients, nor exaggerations. The public goes away to take a part regrettably macabre of the Argentinian's history”, it tells Washington Hispanic Laura Conforte.
The cast is shaped by four Argentine actors, who have done career in the musical genre in his native country, but in this opportunity they face a new challenge that is to bring to the stage a work that shuts a value and historical content up. “Challenging and impactante it is as I feel this work in which I interpret three personages who need a work actoral very delicately. The musical gives us elements to do the most entertaining history because they inform other elements as the live music, the dance and the singing”, tells Diego Mariani, who gives life to López Rega, the colonel who violates and profanes the corpse of Eva Perón.
With all these ingredients added to the historical value of this musical it turns into a proposal that must be seen by the lovers of the theater not only “to be nourished” with the history of Argentina, but to understand the feeling and the emotion of an Eva Perón in love with his husband, Juan Perón and of his people to those who were delivered in body and soul.
 Back to top
|
